For the first time in three years, Serious Introspection will convene, this time at the Nida Art Colony 9th Inter-format Symposium. The full lineup of host John, hype man Justin, and meta-media specialist Ernest will be there, as part of the Error Collective 'lounge' on Saturday, 29 June. The theme of the symposium is absurdity and humour, so I don't really understand why they invited a show about seirous introspection. Anyway, the symposium is a closed event so there's little point in advertising it here, but we'll try to videorecord and post it, just like the old days.Read more
There's some cliché about old dogs and new tricks that I always mangle, but clichés are better when stated incorrectly. It's been over three years since I (John) hosted a regular live talk show with Justin and Ernest, but we brought the act out again for a special reunion performance at the Nida Art Colony's ninth inter-format symposium, 'On the Fluidity of Humour and Absurdity' in Nida, Lithuania. It was fun to do it again, and we were joined by guest Dafna Maimon, old friend Vytautas Michelkevičius, and some random people from the audience. This was presented as the 'lounge' event after a long day of art symposium presentations, performances, and talks, so the audience, all crowded into a small room with a bunch of absurdly constructed furniture courtesy of Justin, was pretty exhausted. But yet a stronger sense of anarchy existed here than at any of our performances in Finland; at least audience members took to the stage, someone fell through a table, and someone tried to set me on fire.
Anyway, here it is. We didn't have the full A/V resources of Mad House available, but we did the best we could, and the first 25 minutes or so are pretty fun at least. I meant what I said –– that the world doesn't need another show of three white men on stage –– and thus I don't think we are likely to bring back the show any time soon, if ever. (Though we remain available for hire, for private events).
I'm delighted to return to Newcastle this month, once again as part of a production by CIRCA Projects + Giles Bailey. This time it's a festival, entitled Festival of the Not and taking place at the newly re-opened Star & Shadow Cinema. I'm thrilled to be part of this, as our work together in the summer of 2017 was an incredible experience, and I've also been following the Star & Shadow's activities remotely (ever since performing there in Lied Music, with Mark Vernon, back in 2010).Read more
Even older posts...
Hi! I am part of the Radio of Changes project with Emily & Roy Boswell. We are conducting live hexagram readings on the top floor of Ateneum museum in Helsinki all this week, for a radio broadcast that goes throughout the festival. The hexagram readings will be broadcast as well as some radio dramas we have worked on, interviews, documentation of the festival and some other content. More information (and our hexagrams, which can be consulted online) can be found at www.ofchanges.fi.
Later this month, I'll be in Nashville, TN, talking about my work with Biathlon/Temporary/Kuusi Palaa. The event, Building decentralized culture structures in Helsinki, will be a talk followed by an open discussion. It takes place at Fort Houston on 29 October at 18:00, and you can register for this (it's free!) via this Eventbrite link.
The Biathlon system that I have been co-developing since 2016 has been in use at Kuusi Palaa, a cooperatively operated project space in Helsinki. Kuusi Palaa opened on 1 March 2018 and will run at least until the end of June. The idea for Kuusi Palaa was to continue using the Biathlon tools that Temporary used (and operating in the same physical space), but to further decentralise the financing and become a legal cooperative. So now, instead of just the content and day-to-day operations being spread over a large and open mix of people, the paying of the rent and bills is also shared.
We did this through a simple extension of the Temporary cultural currency model. All activities are still produced using our own internal points system (called 'Kuusi Palaa points' and abbreviated with a ᵽ sign), and these points are still given to people for attending and participating in the events. But anyone can also buy a 'stake', which costs 50€, makes you a legal member/owner of Kuusi Palaa, gives you a key for 24/7 access, and comes with 500 Kuusi Palaa points attached (the equivalent of showing up 250 times to the 'open' times, or attending 50 normal events). People can buy multiple stakes, and organisations can also buy them for a price of 75€ each. Kuusi Palaa itself as a centralised body exists only to have a bank account, collect the stake money, and spend it on rent and bills. Kuusi Palaa is forbidden from ever applying for a grant or public funding under its own centralised identity; members are encouraged to seek their own funding for their projects through whatever means they normally would and support KP through the purchasing of stakes.
The plan was to sell four months of stakes at a time, thus requiring KP to only be in an existential fund-raising crisis three times per year. If there aren't enough stakes to fund the next season, we give up and quit.
On Monday, 10 July 2017, I was honoured to host The Northern Pen90s: Interrogating the Curr-ency Collective 1992-1999 at the Burnlaw Centre, one of the main sites of Curr-ency’s original artistic activity.
This was the first time I have ever organised anything in the seminar/symposium format, and despite the limited time restraints we managed to produce a phenomenal event, with a rich array of academic participants from the Northeast and even some of the original members of the Curr-ency collective present.
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