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'Unfriendly Skies' is a beautiful project by C-Lab which surveys the skies of disaster movies. It's part of the 'Bootleg' issue of Volume produced for the New Museum exhibition "Urban China: Informal Cities" (February 11-March 29). It seems to recall Constables exercises in cloud painting shot through with an apocalyptic bent. Though here of course the sky has been carefully designed, carefully coded as an overarching narrative environment. And, as Archigram told us, we should think of atmospheric conditions as part of architecural experience: "When it is raining in Oxford Street the architecture is no more important than the rain; in fact the weather has probably more to do with pulsation of the living city at the given moment."
The issue explores the timely topic of Crisis and features a discussion between myself, Jeffery Inaba, Geoff Manaugh, Joseph Grima and Christopher Hawthorne, contributions from Eyal Weizman, Keller Easterling, Mark Wigley, Kazys Varnelis and many more.
via Artcal:
In a city full of underserved cultural stalwarts, the The Film-Maker's Coop has over the past 40+ years distinguished itself with a rich history of archival, programming, preservation and distribution of avant-garde and radically independent cinema. Before video made self-distribution an attractive possibility for motion picture artists, the Coop was as important a distributor of work as it was a social hub for underground and vanguard film-makers. The roster of historic works housed and distributed there is substantial, to say the least -- and certainly includes works increasingly visible to curators and art institutions rapidly discovering the American avant-garde of the past 50 years.
Art Fag City reports today that the Film-makers Coop has received an eviction notice from MoMA, by way of Art Radio International, who have been subleasing the current Coop headquarters since 2000. The Coop's location provides more than just office space; it's also where the thousands of films, videos, and personal archives of the many artists there represented reside. Safely moving such material would require significant funds currently unavailable to the Coop -- film in particular, for example, is very expensive to safely store and transport.
MM Serra and the FMC Board of Directors urges supporters to write "Department of Cultural Affairs Commissioner Kate D. Levin to support our efforts to remain either in our current building or to move to another, affordable city space. You can write to Kate D. Levin directly at this website."
You can learn more about The Film-Maker's Coop here. Their significant catalog of available films is available for online browsing here.
